{"title":"Soittimet","description":"\u003cp\u003eValikoimassamme on kirjoja eri soittimista ja niiden rakentamisesta. Valikoiman kirjat mm.:\u003cbr\u003ekitarat\u003cbr\u003esähkökitarat\u003cbr\u003epuupuhaltimet\u003cbr\u003ecembalot\u003cbr\u003eviulut\u003cbr\u003emuut jousisoittimet\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","products":[{"product_id":"making-master-guitars","title":"Making Master Guitars","description":"\u003cp\u003e\u003cspan\u003eMaking Master Guitars is a craftsman’s handbook about the exciting and challenging pursuit of making classical guitars, a craft that the author reveals to be surprisingly accessible by following his instructions. The book is unique in that it includes nine separate detailed plans of instruments constructed by internationally famous guitar-makers. The author has had the rare opportunity of examining these instruments in detail, and has made many replicas of each one. Superbly illustrated by Adrian Lucas. Part one: The Master Makers and their Guitars is devoted to separate chapters on each famous maker, including Antonio de Torres, Hermann Hauser, Santos Hernandez y Aguado, Ignacio Fleta, Robert Bouchet, Daniel Friederich and Jose Romanillos. The reader will find historical information about the life of and influences on each makers, as well as detailed sets of working drawings for their guitars. Also included are rare photographs of the guitars. Part two: Workshop, Tools and Materials provides essential information about the tools, working environment and material needed by the guitar-maker. Part three: Guitar Construction – The Spanish Method comprises a step-by-step method of guitar construction, illustrated by numerous photographs and drawings. The method of making a guitar is presented with great clarity. So that even the newcomer to this fascinating craft will be able to produce a superb instrument. 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Every one of these will at least need some maintenance in its lifetime, and a large proportion will need repairing. Many of these guitars will be discarded or left to collect dust, never to be played again. Players will not be aware that their playing experience can be enhanced by improving the condition of their instrument. Even cosmetic repairs may help to encourage a player to pick up their guitar and practise. Many of the procedures covered can be tackled by anyone with some aptitude for working with their hands, whilst others will require a greater level of skill and practice. Each task in the book is assigned a level of difficulty ranging from ‘Easy’ to ‘Moderate’ to ‘Challenging.’ Each procedure is accompanied by detailed photographs and diagrams. While it would be impractical to include every single variation of repair that might be required for an acoustic guitar, the book covers all of the common repairs and many more. Practice of all of the techniques covered will, in time, enable you to cope with almost any repair job you encounter. James Lister has a well-deserved reputation as a maker and repairer, and the book draws on this wealth of experience to present the reader with clear, logical text, explanatory drawings, and many excellent colour photographs that show the sequence of steps for each job, leaving no room for uncertainty. 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