{"title":"Elämäkerrat","description":"\u003cp\u003eElämäkertoja musiikin taitajista. \u003c\/p\u003e","products":[{"product_id":"sir-arthur-bliss","title":"Sir Arthur Bliss","description":"\u003cp\u003eArthur Bliss (1891–1975) was one of the most important British musicians of his age. Born into a family where music played a highly significant role, his talent emerged early. He served with distinction in the Great War, in which he was both injured and gassed. After the War he set the musical world alight with ultra-modern works, earning himself the soubriquet enfant terrible and leading to his first major work, the Colour Symphony. His dual American\/British birthright led to a close connection with the USA and marriage to an American girl, Trudy Hoffman, who would be a mainstay of his life. Before long he became the most performed British composer abroad and his portfolio of works included ballet, film (H.G. Wells’s Things to Come remains one of the finest film scores), opera, orchestral, chamber, choral works and song. He was a diplomat, a skill that was recognized in many appointments from the Government to travel using music as soft power, notably to Russia in 1956. He served as Director of Music at the BBC from 1942–4, was knighted and soon after appointed Master of the Queen’s Music. Bliss was a private figure who stated that the only way to get to know him was through his music. 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For some two centuries the art form had stagnated in England, which was referred to, notoriously, by a German commentator as ‘the land without music’. But then came a great renaissance. In the three linked essays that make up this book, Keith Alldritt, the most recent biographer of Vaughan Williams, examines the several phases and genres of this revival. A number of composers including Gustav Holst, Arnold Bax and William Walton contributed to the renewal. But this book presents the renaissance as centrally a continuity of enterprise, sometimes of riposte, running from Elgar to Vaughan Williams and then to Benjamin Britten. Their concern was with music at its most serious, though not unceasingly humourless. All three explored music’s frontier with philosophy. They also probed the psychological impact of the unprecedently violent and destructive century in which they practised their art. 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The author examines the considerable range of Vaughan Williams’s work, from the English pastoral tradition to Modernism, and shows how Vaughan Williams was influenced by the Boer War, the economic depression after the First World War, the deprivations of the Blitz, and the austerity of the Cold War. He also reveals how the greatest influence on Vaughan Williams’s music and creative development was his personal life, involving his seemingly secure marriage and an equally enduring love affair. The author shows how these reflected both the stability and cutting-edge aspects of his music. Like a great symphony, this book ranges from doubt to inspiration. 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Compiled by acclaimed Lanza biographer Derek Mannering and drawing on exclusive photographs from the tenor’s closest friend, Terry Robinson, the book offers an unrivalled pictorial history of the tenor’s extraordinary life and career, from his childhood in Philadelphia, his first tentative steps towards a career in opera, the unexpected about-turn that led to his glory days in Hollywood, and on to his sudden and tragic death in Rome in 1959. Complementing the rare photographs is Derek Mannering’s authoritative and compelling narrative together with personal comments by Terry Robinson throughout. The book concludes with an afterword by Mario Lanza’s daughter, Ellisa Lanza Bregman. Few careers in show business have been as colourful or as controversial as Mario Lanza’s. Groomed for a professional life on the operatic stage, Lanza was instead waylaid by Hollywood where, in films like The Great Caruso, he thrilled movie-goers with his magnificent voice and dazzling personality. 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